
Rabu, 20 Februari 2008
Tagged!

Rabu, 30 Januari 2008
The Van Gogh Blues by Eric Maisel
Early last year, I was honored to host Eric Maisel during his blog book tour for Ten Zen Seconds. I received the added benefit of surviving a dreadful cataract surgery thanks to the tips and inspiration in the book! Today, our tour spotlights the softcover reprint of Eric's highly popular book, The Van Gogh Blues. And again, I find myself with a tool to navigate changes in my life, this time dealing with the stresses of switching careers and life meaning from painter and gallery owner to writer, a shift that has proven much more challenging and distressing than anything I might have imagined. Read on for some comments from the author:
E: For more than 25 years I’ve been looking at the realities of the creative life and the make-up of the creative person in books like Fearless Creating, Creativity for Life, Coaching the Artist Within, and lots of others. A certain theme or idea began to emerge: that creative people are people who stand in relation to life in a certain way—they see themselves as active meaning-makers rather than as passive folks with no stake in the world and no inner potential to realize. This orientation makes meaning a certain kind of problem for them—if, in their own estimation, they aren’t making sufficient meaning, they get down. I began to see that this “simple” dynamic helped explain why so many creative people—I would say all of us at one time or another time—get the blues.
To say this more crisply, it seemed to me that the depression that we see in creative people was best conceptualized as existential depression, rather than as biological, psychological, or social depression. This meant that the treatment had to be existential in nature. You could medicate a depressed artist but you probably weren’t really getting at what was bothering him, namely that the meaning had leaked out of his life and that, as a result, he was just going through the motions, paralyzed by his meaning crisis.
HPB: Are you saying that whenever a creative person is depressed, we are looking at existential depression? Or might that person be depressed in “some other way”?
E: When you’re depressed, especially if you are severely depressed, if the depression won’t go away, or if it comes back regularly, you owe it to yourself to get a medical work-up, because the cause might be biological and antidepressants might prove valuable. You also owe it to yourself to do some psychological work (hopefully with a sensible, talented, and effective therapist), as there may be psychological issues at play. But you ALSO owe it to yourself to explore whether the depression might be existential in nature and to see if your “treatment plan” should revolve around some key existential actions like reaffirming that your efforts matter and reinvesting meaning in your art and your life.
HBP: So you’re saying that a person who decides, for whatever reason, that she is going to be a “meaning maker,” is more likely to get depressed by virtue of that very decision. In addition to telling herself that she matters and that her creative work matters, what else should she do to “keep meaning afloat” in her life? What else helps?
E: I think it is a great help just to have a “vocabulary of meaning” and to have language to use so that you know what is going on in your life. If you can’t accurately name a thing, it is very hard to think about that thing. That’s why I present a whole vocabulary of meaning in The Van Gogh Blues and introduce ideas and phrases like “meaning effort,” “meaning drain,” “meaning container,” and many others. When we get a rejection letter, we want to be able to say, “Oh, this is a meaning threat to my life as a novelist” and instantly reinvest meaning in our decision to write novels, because if we don’t think that way and speak that way, it is terribly easy to let that rejection letter precipitate a meaning crisis and get us seriously blue. By reminding ourselves that is our job not only to make meaning but also to maintain meaning when it is threatened, we get in the habit of remembering that we and we alone are in charge of keeping meaning afloat—no one else will do that for us. Having a vocabulary of meaning available to talk about these matters is a crucial part of the process.
HBP: This is the paperback version of The Van Gogh Blues, How was the hardback version received?
E: Very well! The reviewer for the Midwest Book Review called The Van Gogh Blues “a mind-blowingly wonderful book.” The reviewer for Library Journal wrote, "Maisel persuasively argues that creative individuals measure their happiness and success by how much meaning they create in their work.” I’ve received countless emails from artists all over the world thanking me for identifying their “brand” of depression and for providing them with a clear and complete program for dealing with that depression. I hope that the paperback version will reach even more creative folks—and the people who care about them.
HBP: How does The Van Gogh Blues tie in with other books that you’ve written?
E: I’m interested in everything that makes a creative person creative and I’m also interested in every challenge that we creative people face. I believe that we have special anxiety issues and I spelled those out in Fearless Creating. I believe that we have a special relationship to addiction (and addictive tendencies) and with Dr. Susan Raeburn, an addiction professional, I’ve just finished a book called Creative Recovery, which spells out the first complete recovery program for creative people. That’ll appear from Shambhala late in 2008. I’m fascinated by our special relationship to obsessions and compulsions and am currently working on a book about that. Everything that we are and do interests me—that’s my “meaning agenda”!
HBP: What might a person interested in these issues do to keep abreast of your work?
E: They might subscribe to my two podcast shows, The Joy of Living Creatively and Your Purpose-Centered Life, both on the Personal Life Media Network. You can find a show list for The Joy of Living Creatively here and one for Your Purpose-Centered Life here. They might also follow this tour, since each host on the tour will be asking his or her own special questions. Here is the complete tour schedule. If they are writers, they might be interested in my new book, A Writer’s Space, which appears this spring and in which I look at many existential issues in the lives of writers. They might also want to subscribe to my free newsletter, in which I preview a lot of the material that ends up in my books (and also keep folks abreast of my workshops and trainings). But of the course the most important thing is that they get their hands on The Van Gogh Blues!—since it is really likely to help them.
Senin, 21 Januari 2008
A visit with Dana Fredsti
Hotbuttonpress: Meet Dana Fredsti, author of The Peruvian Pigeon, the first almost-cozy mystery in her Murder For Hire series. Set in modern-day California, the book parodies 1940’s pulp detective fiction through the theatrics of a local acting troupe. They hire out their talents as fundraising entertainment for business and area high society, and along the way find a few dead bodies to complicate the plot. It’s clear the author knows her stuff when it comes to the acting world. Dana, how far back does your acting interest go? Elementary school? High school?Dana: I would have to say my acting interests go back as far as elementary school, at least to the best of my recollection. My fifth and six grade teachers were very ambitious and put on Antigone and Hamlet, respectively, as the class plays. Oh yeah, and Julius Caesar. I played Antigone, Queen Gertrude and an extra in the crowd for Marc Anthony. The “we come to bury Caesar, not to praise him” speech. My cousin Sandy made my costumes and I loved my blue flowery pseudo-Grecian Antigone costume. I had really long hair back in those days and remember using my pony tail quite dramatically, flipping my hair this way and that as I gave my speech, before being dragged away to be entombed alive.
I also have very fond memories of the scene in Hamlet when Hamlet confronts his mother in her dressing room as Polonius hides behind a curtain to spy and is subsequently killed by the twitchy Prince of the Danes. When Polonius uttered his dying words, “Oh, I am slain!”, they came out as wooden as only an elementary student with no acting ability could deliver them. “Hamlet” and I looked at each other and got the giggles, which quickly spread to the audience and eliminated any possible drama in the rest of the scene.
I pretty much decided I liked acting from that point on. It was definitely my main interest in high school and the only class I didn’t want to ditch. Yes, I ditched classes occasionally to go get donuts at Winchell’s down on Clairemont Drive or to see dollar matinees at the Clairemont Theater with my friend, Maureen. The same Maureen who later became my partner in crime with Murder For Hire, by the way. At any rate, I was in every play except one during my three years of high school (our drama teacher, Mrs. Curran, believed every actor should work tech on at least one play), did community theater, and later went on to act in some really bad movies when I moved to Los Angeles.

Sunday, January 20th Elysabeth’s Emerald City
Wednesday, January 23rd Chrysalis Stage
Jumat, 18 Januari 2008
The Peruvian Pigeon

Sabtu, 15 Desember 2007
Preaching to the Corpse
Roberta Isleib is in the midst of a very interesting and creative blog book tour, and I'm visiting each tour stop she makes. I've just finished the first book in this series, Deadly Advice, and it was a page-turner, make no bones about it. I can hardly wait to get my hands on the next corpse! You can check out her entire tour schedule here, and I'll post my favorite stops with live links so you can hop over direct.First, stop at The Dark Phantom Review to read the excerpt.
If you're a writer, don't miss the interview at Fiction Scribe.
Author Bio
New Jersey born clinical psychologist Roberta Isleib took up writing mysteries to justify time spent on the links. Her first series, featuring a neurotic professional golfer and a sports psychologist, was nominated for both Agatha and Anthony awards.
Roberta's new series, starring a Connecticut psychologist and advice columnist, debuted in 2007 with DEADLY ADVICE and PREACHING TO THE CORPSE. She has also had many articles and short stories published. "Disturbance in the Field," published in SEASMOKE by Level Best Books, was short-listed for both Agatha and Macavity awards.
Roberta is the president of International Sisters in Crime and the past president of the New England chapter. She is also a member of Mystery Writers of America, Romance Writers of America, and the Authors Guild. She lives with her family in Connecticut.
Jumat, 14 Desember 2007
All about me(me) and reading
What have you just read?
Deadly Advice by Roberta Isleib.
What are you reading now?
Why We Read What We Read by John Heath and Lisa Adams.
Do you have any idea what you'll read when you're done with that?
Preaching to the Corpse by Roberta and Dana Fredsti’s premiere novel, which has a great title, but hasn't been in front of my face often enough for me to instantly recall. It's the first in her Murder For Hire series. And this situation is exactly why authors must put their latest title after their names everywhere in the world, every chance they get. Repetition, repetition, repetition.....wait, I've almost got it..... The Peruvian Pigeon!
What's the worst thing you were ever forced to read?
An Editing How-To eBook – the first eBook I ever bought – that was so full of errors I should have edited it and sent it back to the author! I did complain to the publisher who laughed and replied that they should have hired me to edit the thing. I was not amused.
What's one book you always recommend to just about anyone?
Not the editing book, that’s for certain! I think my all-time favorites are Mary Stewart’s books in the Merlin Trilogy. I never tire of reading them. The fourth book, The Wicked Day, is one of my very least favorites.
Admit it, sadly the librarians at your library know you on a first name basis, don't they?
Not sad at all, as I love the added attention and service!
Is there a book you absolutely love, but for some reason, people never think it sounds interesting, or maybe they read it and don't like it at all?
I like Anne McCaffrey’s Dragon Riders of Pern series, but many people don’t.
Do you read books while you eat?
Rarely.
While you bath?
Never, since I shower. What a mess that would be.
While you watch movies or TV?
I don’t watch TV and when I watch the occasional video, I concentrate on it. I can’t even knit for very long, before I'm completely engrossed and staring at the screen like an idiot. It's not a pretty picture.
While you listen to music?
No.
While you're on the computer?
I don’t know how people can do this! I mean, isn’t it like trying to read two things at once?
When you were little did other children tease you about your reading habits?
Not other children, but my mother used to kick me out of the house and tell me to go play. I would hide a book in the clothes hamper, which was in the bathroom, and then use the potty excuse to get in a few pages of reading.
What's the last thing you stayed up half the night reading because it was so good you couldn't put it down?
Alas, I simply haven’t been able to do this since my cataract surgery earlier in the year. I still remember my marathon session with Ayn Rand's Atlas Shrugged. I think I had pizza delivery three times over two days. Huge pizzas. Mushroom with double cheese.
Have any books made you cry?
You mean have many books made me cry? Yes. The last was Garden Spells. And I just read an article in AARP magazine that had tears rolling down my cheeks. I have that author, Ann Harleman, on my To Read list now.
So I’ve tagged these good folks, and you can read their answers here:
Dana Fredsti
Ann Parker
Doris Baker
Diana Vickery
Selasa, 27 November 2007
All about me(me) and blogging
1. How long have you been blogging?
Only about a year. The online youngsters don't call me Old Noob for nothing!
2. What inspired you to start a blog and who are your mentors?
I loved reading good blogs even before I had my own. I have a collection I read regularly, but it wasn't until I went to the Women Writing the West Conference that a writing pal and I offered to post conference doings on their new blog so all the members could vicariously enjoy the gathering. We did and it was so easy and fun! Next, I actually started a yahoo discussion group, and just for holiday kicks, set up a 360 degree blog in that community called Queen of Christmas. Before I knew it, I had started several blogger blogs for various reasons, and suddenly I found myself reading professional blogger newsletters to get all the hot tips on improving my own sites. There's still so much to learn. I don’t know if I’d call them mentors exactly, but Chris Garrett and Yaro Starak certainly provide some excellent information to their readers.
3. Are you trying to make money online, or just doing it for fun?
I don't close the door on blogging to make money, though I hate the look of most click-the-link advertising. Visual clutter is tough on an artist’s eyes. Without question, blogs are marketing tools, whether to promote a book, a stained glass commission, the latest yarn shipment a store has received, the loveliest fused glass bowls, whatever. Everyone likes being up on the latest, and this is a simple way to impart information. There's a reason that newspapers have blogs and were first to jump on the blog bandwagon. Added content. Easy peasy added content that doesn't require high-tech knowledge. Family albums, store bulletins, town hall news - anyone could benefit from the use of a blog. Did I mention blog book tours? This one is linked to a squidoo lens for added impact.
4. What 3 things do you struggle with online?
I don't feel like I know enough yet to really have the online presence I'd like. I want a website with a shopping cart for my own products, but don't feel like I'm quite competent enough to handle that on my own. Blogs have been a nice stepping-stone in that direction.
I don't understand a lot of aspects like cloaking urls, html code, and other nitty-gritty regarding search engine optimization, but I am developing the courage and even interest in pursuing it further thanks to blogging. It's a bit like living in a foreign country. When you immerse yourself, you eventually learn the language and the practices.
Like anyone who is fascinated with the potential of the medium, I spend too much time on the internet exploring its vast horizons. It takes a bit of discipline fitting it into a normal busy life. Paradoxically, it also takes a bit of discipline to continue regular posting once the novelty has worn off a bit.
5. What 3 things do you love about being online?
First, reading the news without having to sit down with a real newspaper. Nothing gets dumped or goes up in smoke.
Second, having vast repositories of research information available at the touch of a button, including library card catalogs.
Third, connecting to communities of like-minded people via the written word. I'm out in the sticks and for the most part, feel pretty much like an alien from another galaxy. The internet connects me to kindred spirits.
I'm interested in reading what others have to say, so I'm tagging these good bloggers for their input:
Kittlog
Be sure to go read what they have to say, and bookmark their blogs which are always packed with interesting interviews, essays, tips, insights, and even recipes. Did I mention humor and good photographs? What about gorgeous standard poodles? And a very special treat for kitties and their people.
